The digital environment becomes the field of my research because it is where the mechanisms that shape human perception, desire, and choice become most clearly visible. I am interested not in digital technologies themselves, but in the conditions through which they organize human experience.

Human perception is not divided between digital and physical environments. As the conditions of perception change in one, they continue to operate in the other. Returning to the material world, we perceive it differently, and as perception changes, so do our ways of acting and, gradually, the forms of material culture.

My practice translates these processes into physical objects. I call this method extraction - a sequence of actions in which the process under investigation is extracted from its habitual environment, slowed down, materialized, and made available for observation.

Each series investigates a distinct mode through which human experience is formed. Rather than reproducing the digital environment, the works translate its underlying structures into material forms, allowing them to be examined outside their original context.